{"id":6463,"date":"2019-12-23T19:35:38","date_gmt":"2019-12-23T19:35:38","guid":{"rendered":"https:\/\/narrativenortheast.com\/?p=6463"},"modified":"2019-12-29T19:46:00","modified_gmt":"2019-12-29T19:46:00","slug":"3-poems-chelsea-dingman","status":"publish","type":"post","link":"https:\/\/narrativenortheast.com\/?p=6463","title":{"rendered":"3 POEMS &#8211; Chelsea Dingman"},"content":{"rendered":"<p><strong>A MEMORY OF WATER<\/strong><br \/>\n&nbsp;<br \/>\nIt rains because another body has fled<br \/>\nits wounds. It rains because morning is sick<br \/>\nwith drought. It rains because only water<br \/>\nhas memory. It rains &amp; someone\u2019s husband<br \/>\nor mother or brother has become the past<br \/>\nparticiple of love. It rains because we must be present<br \/>\nwhen the world disappears behind cloud. It rains<br \/>\nbecause we look for our mothers under clotheslines &amp; beds,<br \/>\nnestled inside the throats of birds, as we mother the rain<br \/>\nthat wants to bury itself below ground, as we mother<br \/>\nthought &amp; not deed, our gods pulsing like a murder<br \/>\nof crows at a firing squad ceremony. It rains again,<br \/>\nnow, because the trees want to feel anything<br \/>\nnew. It rains because blood stirs under the surface<br \/>\nof ash. It rains because sadness wants to be<br \/>\nrepealed, as the fires we burn become the future.<br \/>\nIt rains because silence is the circus we give our children,<br \/>\nwhile we pray to sorrow to take away the rain<br \/>\nsplitting our throats. It rains because everything<br \/>\nfallen once knew joy. It rains because water wants<br \/>\nto originate anywhere but sky as sky breaks<br \/>\nopen inside us. It rains because we can\u2019t stop<br \/>\nbecoming this world when we are lonely.<br \/>\n&nbsp;<\/p>\n<hr>\n<p>&nbsp;<br \/>\n<strong>AFTER YOU ALMOST DIED THE FIRST TIME<\/strong><br \/>\n&nbsp;<br \/>\nI called your name to hear<br \/>\na voice like yours echo<br \/>\nin the rime. I called myself back<br \/>\n&nbsp;<br \/>\nfrom the lure of a man\u2019s hands, the beggar<br \/>\nmoon caught in my throat.<br \/>\nI called you mother. Not Mama.<br \/>\n&nbsp;<br \/>\nNot Mom. I created distance<br \/>\nin that one word. The hull<br \/>\n&amp; husk of your lung, spooned out.<br \/>\n&nbsp;<br \/>\nLobe by lobe, I called breath<br \/>\nan enemy. I was called orphan<br \/>\nby agencies. My father, already dead,<br \/>\n&nbsp;<br \/>\nas you raised us alone. I called you hero<br \/>\nfor awhile, then whore. Then leaf<br \/>\nthat can\u2019t return to the tree. Or maybe<br \/>\n&nbsp;<br \/>\nthat was me. I called the days grey<br \/>\nhorses. I called it love<br \/>\nwhen moss overran the pines.<br \/>\n&nbsp;<br \/>\nI called you through this animal<br \/>\nloneliness. I called you someone<br \/>\nI didn\u2019t want to be. I called you, yesterday,<br \/>\n&nbsp;<br \/>\nto wish you a good day. The sparrows,<br \/>\nforgetting themselves in the glare<br \/>\nof the windows. I called the day<br \/>\n&nbsp;<br \/>\nforward to fold over our voices.<br \/>\nI called to say love is evidence<br \/>\nof all that you\u2019ve kept alive.<br \/>\n&nbsp;<\/p>\n<hr>\n<p>&nbsp;<br \/>\n<strong>INDUCTION<\/strong><br \/>\n&nbsp;<br \/>\nToday, a daughter will come,<br \/>\npale &amp; unprotected,<br \/>\n&nbsp;<br \/>\nto make me possible.<br \/>\n&nbsp;<br \/>\nI will be ruled by no other god<br \/>\nbut time.<br \/>\n&nbsp;<\/p>\n<div dir=\"ltr\">Chelsea Dingman is the author of&nbsp;<i>Thaw<\/i>&nbsp;(University of Georgia Press, 2017),<\/div>\n<div><i>What Bodies Have I Moved <\/i>(Madhouse Press, 2018) and a forthcoming book of poems,&nbsp;<i>Through a Small Ghost <\/i>(University of Georgia Press, 2020)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>A MEMORY OF WATER &nbsp; It rains because another body has fled its wounds. It rains because morning is sick with drought. It rains because only water has memory. It rains &amp; someone\u2019s husband or mother or brother has become the past participle of love. It rains because we must be present when the world [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":2990,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/6463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6463"}],"version-history":[{"count":10,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/6463\/revisions"}],"predecessor-version":[{"id":6705,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/6463\/revisions\/6705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/media\/2990"}],"wp:attachment":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}