{"id":6105,"date":"2019-07-11T17:44:33","date_gmt":"2019-07-11T17:44:33","guid":{"rendered":"https:\/\/narrativenortheast.com\/?p=6105"},"modified":"2019-08-10T17:17:21","modified_gmt":"2019-08-10T17:17:21","slug":"four-poems-anne-jennings-paris","status":"publish","type":"post","link":"https:\/\/narrativenortheast.com\/?p=6105","title":{"rendered":"THREE POEMS &#8211; Anne Jennings Paris"},"content":{"rendered":"<p><strong>LACUNA<\/strong><br \/>\n&nbsp;<br \/>\nOn trails of slash pine<br \/>\nand sabal palm, the sun<br \/>\nsuggests she turn reptile<br \/>\nand sprawl toward water<br \/>\nknow animal pleasure.<br \/>\n&nbsp;<br \/>\nThe wind wants to empty her<br \/>\nwonders if she\u2019ll whither<br \/>\nto husk, involute<br \/>\nwhere language won\u2019t go.<br \/>\n&nbsp;<br \/>\nInside her belly, sorrows dwell<br \/>\nshe wants to label each one<br \/>\nlike the wildflowers<br \/>\nshe copied as a child&#8211;<br \/>\nnaming the world made it real&#8211;<br \/>\nswamp mallow, lady slipper, trumpet vine.<br \/>\n&nbsp;<br \/>\nHere, in the pines, she names<br \/>\nsaw palmetto, tickseed<br \/>\nand the Lubber grasshoppers<br \/>\nthat ride each other\u2019s backs&#8211;<br \/>\nthey slept all winter for this&#8211;<br \/>\negg, then nymph, then adult,<br \/>\nrepeat.<br \/>\n&nbsp;<br \/>\nNo name for what comes after<br \/>\n(encyclopedias fall short)<br \/>\nunless carcass.<br \/>\nRot.<br \/>\n&nbsp;<br \/>\nWhat is the name for her now?<br \/>\nMenopause&#8211;climacteric&#8211;say what she is not.<br \/>\nSenescence implies a coming end.<br \/>\nBut here in the pinelands, she feels new<br \/>\nskin flushed with sweat.<br \/>\nNot hag, not fishwife, matron, or crone&#8211;<br \/>\nshe waits on the wet season,<br \/>\nfecund,<br \/>\nconceives her lexicon.<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n<hr>\n<p>&nbsp;<br \/>\n&nbsp;<br \/>\n<strong>AT PINE ISLAND<\/strong><br \/>\n&nbsp;<br \/>\nThe Everglades sieve runoff into armor,<br \/>\nperiphyton plated as a gator\u2019s back.<br \/>\nHoles in oolite, like puddles on the moon,<br \/>\nhint at worlds beneath this one.<br \/>\nBeneath bayheads, scorpions creep<br \/>\nand under brush, the pythons sleep.<br \/>\n&nbsp;<br \/>\nSurveyors drive stakes along the road,<br \/>\nmarks for mowers that daily speak<br \/>\nwith sharp, sweeping tongues<br \/>\nthese thickets into poetry.<br \/>\n&nbsp;<br \/>\nMen rose rapine from the sea<br \/>\nlaid roads and tracks,<br \/>\ndrew acreages and platts.<br \/>\nArchitects of imagined space,<br \/>\nthey carved drain and swale<br \/>\nfrom Disney to the mangrove sea:<br \/>\nFlorida, but as they meant her to be.<br \/>\n&nbsp;<br \/>\nAnd if they looked away?<br \/>\nShe beat them back with flails\u2014<br \/>\ngreen on sun-thinned walls\u2014<br \/>\nlaid waste whole cities with water.<br \/>\n&nbsp;<br \/>\nSo the men fight harder.<br \/>\nTheir machines dredge and fill<br \/>\nutopic maps of want, cement the veil<br \/>\nbetween asleep and awake.<br \/>\n&nbsp;<br \/>\nI see you, killing men,<br \/>\nholding back storm and vine\u2014<br \/>\nbut my words flow deeper than fear,<br \/>\na song you can\u2019t contain:<br \/>\n&nbsp;<br \/>\nI am the stake<br \/>\nand the wilderness it keeps at bay,<br \/>\nthe river of grass and the sea,<br \/>\nI\u2019ll sound until there\u2019s nothing left to save,<br \/>\nhymn of what might still be.<br \/>\n&nbsp;<\/p>\n<hr>\n<p>&nbsp;<br \/>\n<strong>ON THE OLD INGRAHAM HIGHWAY&nbsp;<\/strong><br \/>\n&nbsp;<br \/>\nWhen the world stopped seeing me,<br \/>\nI burned from the inside out, like grasses on the roadside,<br \/>\ndeep orange thrust, saw-blade-sharp if stroked the wrong way.<\/p>\n<p>When the world stopped hearing me,<br \/>\nI began to lose words. I let the wind empty me<br \/>\ntill my voice became a tiny chirp, louder at dusk and dawn.<\/p>\n<p>When the world forgot the taste of me, the texture of my skin,<br \/>\nmy body hardened like the spiked head of a thistle,<br \/>\npurpled and angry. Then, all that was left was to walk into the grasslands&#8211;<\/p>\n<p>Clouds drifted over the far cypress domes&#8211;<br \/>\nI let myself sink in marl, where the water hides,<br \/>\nuntil the Earth caught me. Now I am queen<br \/>\n&nbsp;<br \/>\nof the frogs and insects, the tiniest fishes.<br \/>\nI use my last word to call the blackbirds to me;<br \/>\nthey dart and sing in the mystery of my long shadow&#8211;<br \/>\n&nbsp;<br \/>\nthe days grow heavier, the earth darker.<br \/>\nWe wait on the wide, grassy slough for the thing that will fill us\u2014<br \/>\nthey say when the water comes, it will not come gently.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\nAnne Jennings Paris is a writer, a visual artist, and a mother. She has lived in the Portland, Oregon area for the past 15 years, and she is native of Gainesville, Florida. Her recent work looks at the human and non-human ecology of threatened landscapes and watersheds.<br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LACUNA &nbsp; On trails of slash pine and sabal palm, the sun suggests she turn reptile and sprawl toward water know animal pleasure. &nbsp; The wind wants to empty her wonders if she\u2019ll whither to husk, involute where language won\u2019t go. &nbsp; Inside her belly, sorrows dwell she wants to label each one like the [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":6125,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[325,196],"class_list":["post-6105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","tag-everglades-by-sebastian-carlosena","tag-wikicommons-free-use"],"_links":{"self":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/6105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6105"}],"version-history":[{"count":10,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/6105\/revisions"}],"predecessor-version":[{"id":6128,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/6105\/revisions\/6128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/media\/6125"}],"wp:attachment":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}