{"id":4685,"date":"2017-03-27T17:24:22","date_gmt":"2017-03-27T17:24:22","guid":{"rendered":"https:\/\/narrativenortheast.com\/?p=4685"},"modified":"2017-03-27T17:27:23","modified_gmt":"2017-03-27T17:27:23","slug":"the-man-who-paints-time-claudia-serea","status":"publish","type":"post","link":"https:\/\/narrativenortheast.com\/?p=4685","title":{"rendered":"The Man Who Paints Time &#8211; Claudia Serea"},"content":{"rendered":"<p>He\u2019s inside the clock in the airport. Only the hour hand is painted in. The man dips his brush in the paint can and traces a long black line, uniting the center of the clock with the figure 12. Now the clock has a minute hand.<br \/>\n&nbsp;<br \/>\nHe\u2019s tall and handsome, although I can\u2019t see his face. He cleans the glass surface with<br \/>\na squeegee. Oblivious to all the passengers, he bends and washes a rag in the bucket.<br \/>\nUp again, he wipes off the black minute hand he just painted. The passengers look at each other: what is this guy doing inside the clock? And why did he wipe off the minute hand?<br \/>\n&nbsp;<br \/>\nThe man washes the rag in the bucket. If you ever wonder where does time go, well, let me tell you: it\u2019s in the white bucket. He notices a spec left on the clock\u2019s surface and cleans it up with his sleeve. Unhurried, he loads his brush with black paint and slowly paints a new long line from the center to the right of the figure 12. It\u2019s one minute after 12.<br \/>\n&nbsp;<br \/>\nThe passengers are captivated. He ignores everyone and makes sure the black minute hand is perfect, with no wavy edges. He\u2019s taking his time\u2014he\u2019s a perfectionist, that\u2019s why. Then, with quick moves, he wipes the line with the squeegee. What happened? It wasn\u2019t straight enough? What a waste of time. The man next to me returns to his paper, mumbling.<br \/>\n&nbsp;<br \/>\nI get up and circle behind the huge clock. No one is there. There is no stair, no door.<br \/>\nThe clock is so thin no one could fit inside. Back in the waiting room, I take my seat and look up: there he is, absorbed in his task, painting another minute.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\nClaudia Serea\u2019s poems and translations have appeared in <em>Field, New Letters, 5 a.m., Meridian, Word Riot, Apple Valley Review,<\/em> among others. She is the author of<em> Angels &amp; Beasts <\/em>(Phoenicia Publishing, Canada, 2012), <em>A Dirt Road Hangs From the Sky <\/em>(8th House Publishing, Canada, 2013), <em>To Part Is to Die a Little<\/em> (Cervena Barva Press, 2015) and <em>Nothing Important Happened Toda<\/em>y (Broadstone Books, 2016). Serea co-hosts The Williams Readings poetry series in Rutherford, NJ, and she is a founding editor of National Translation Month<\/p>\n","protected":false},"excerpt":{"rendered":"<p>He\u2019s inside the clock in the airport. Only the hour hand is painted in. The man dips his brush in the paint can and traces a long black line, uniting the center of the clock with the figure 12. Now the clock has a minute hand. &nbsp; He\u2019s tall and handsome, although I can\u2019t see [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":4749,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[244],"class_list":["post-4685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","tag-the-persistence-of-time-by-salvadore-dali"],"_links":{"self":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/4685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4685"}],"version-history":[{"count":7,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/4685\/revisions"}],"predecessor-version":[{"id":4753,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/4685\/revisions\/4753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/media\/4749"}],"wp:attachment":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}