{"id":13713,"date":"2024-10-30T06:00:00","date_gmt":"2024-10-30T06:00:00","guid":{"rendered":"https:\/\/narrativenortheast.com\/?p=13713"},"modified":"2024-11-02T13:37:20","modified_gmt":"2024-11-02T13:37:20","slug":"they-have-a-plan-for-us","status":"publish","type":"post","link":"https:\/\/narrativenortheast.com\/?p=13713","title":{"rendered":"THEY HAVE PLANS FOR US &#8211; Megha Sood"},"content":{"rendered":"<p>Based on the complete abortion ban mentioned in the Project 2025 Manifesto. Severely<br \/>\nlimiting abortion access nationwide by reversing the FDA\u2019s approval of mifepristone, a drug<br \/>\nused in medication abortion, and reviving a 19th-century law, the Comstock Act, to ban any<br \/>\nabortion medications, equipment, or materials from being sent through the U.S. Postal<br \/>\nService. Source: ACLU.Org<br \/>\n&nbsp;<br \/>\nOh! yes they have plans for us<br \/>\nOh! yes the one they have hammered<br \/>\ndown to the last line<br \/>\nThe Manifesto<br \/>\nword after word<br \/>\nline after line;<br \/>\npages after pages,<br \/>\nmapping the curves of our bodies<br \/>\nsilhouettes of our desires:<br \/>\ndipped in their thick black inks of subjugation.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\nboxing all the mottled things<br \/>\nbejeweled with life plans, trinkets, and bling<br \/>\nunderlining their adoration for us<br \/>\ntheir unfettered love, passion<br \/>\ntheir soft caring being.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\nstripping bare our tongues<br \/>\nwith hands tied at our backs<br \/>\nwombs scraped clean,<br \/>\nas pristine and demure as they want us to be<br \/>\nwith their stories of success etched<br \/>\nin our spines for kingdoms to come.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\nto carry the love of incest and rape in our womb<br \/>\nlicking our wounds clean but never saying a word<br \/>\nbringing shunned love to our full breast<br \/>\nletting it down a bit,<br \/>\nwarmly and gently nursing it every day<br \/>\nrecounting the days like a horror story on reels.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\ntill our thick blood trickles down<br \/>\nmurky lanes of a dark empty parking lot<br \/>\nfor their sheer pleasure<br \/>\na sluice of broken dreams and desires<br \/>\ncarrying our strangled future.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\nfor guarding every inch, every iota of our existence<br \/>\nhaving a lien to our soul;<br \/>\na perfect story of a mother with rounded bellies,<br \/>\nmaking it complete, making it whole.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\nto get on our knees,<br \/>\nto say our prayer for exalted gods in heaven<br \/>\nto utter words of salvation and redemption<br \/>\ntill the kingdom comes.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\nto carry blood stories in our sacred womb<br \/>\nand not to utter a single word,<br \/>\nto hold the bitter truth on the edge of our teeth<br \/>\nwhile licking razor blades without spilling a word.<br \/>\n&nbsp;<br \/>\nYes, they have plans for us<br \/>\nfreeing us from all this self-destruction<br \/>\nour simple minds can\u2019t conceive<br \/>\ntaking us to yet another hell<br \/>\n&nbsp;<br \/>\nthat they have brilliantly mapped out for us.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-13717\" src=\"https:\/\/narrativenortheast.com\/wp-content\/uploads\/2024\/10\/NN-headshot-MeghaAuthorPicture.jpg\" alt=\"\" width=\"234\" height=\"254\" srcset=\"https:\/\/narrativenortheast.com\/wp-content\/uploads\/2024\/10\/NN-headshot-MeghaAuthorPicture.jpg 414w, https:\/\/narrativenortheast.com\/wp-content\/uploads\/2024\/10\/NN-headshot-MeghaAuthorPicture-276x300.jpg 276w\" sizes=\"auto, (max-width: 234px) 100vw, 234px\" \/>Megha Sood is an award-winning Asian-American author, poet, editor, and literary activist from New Jersey. Literary Partner with \u201cLife in Quarantine\u201d, at Stanford University. Her four poetry collections include the award-winning (<em>My Body Lives Like a Threat,<\/em> FlowerSong Press, 2022), (<em>My Body is Not an Apology<\/em>, FinishingLine Press, 2021), and ( <em>Language of the Wound is Love,<\/em> FlowerSong Press, 2025). She has received support from VONA, Pen Women, Dodge Foundation, Kundiman, and Martha\u2019s Vineyard Writing Institute. Her 900+ works have been featured in print, online journals, public exhibits, and anthologies including the <em>Poetry Society of New York, MS Magazine, NYPL, Pen Magazine by American Pen Women, PBS American Portrait, NPR, WNYC Studio<\/em>, etc, and numerous universities including Stanford University, Howard University, George Mason, Columbia. Her poems and anthology <em>The Medusa Project<\/em> have been selected to be sent to the moon in 2025 as part of the historical LunarCodex Project in collaboration with NASA\/SpaceX. Find her at https:\/\/linktr.ee\/meghasood<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Based on the complete abortion ban mentioned in the Project 2025 Manifesto. Severely limiting abortion access nationwide by reversing the FDA\u2019s approval of mifepristone, a drug used in medication abortion, and reviving a 19th-century law, the Comstock Act, to ban any abortion medications, equipment, or materials from being sent through the U.S. Postal Service. Source: [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":4214,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[217],"class_list":["post-13713","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry","tag-art-by-seema-kholi"],"_links":{"self":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/13713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13713"}],"version-history":[{"count":8,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/13713\/revisions"}],"predecessor-version":[{"id":13779,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/13713\/revisions\/13779"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/media\/4214"}],"wp:attachment":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13713"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}