{"id":13229,"date":"2024-01-02T22:00:25","date_gmt":"2024-01-02T22:00:25","guid":{"rendered":"https:\/\/narrativenortheast.com\/?p=13229"},"modified":"2024-01-05T01:14:46","modified_gmt":"2024-01-05T01:14:46","slug":"clouds-john-trause","status":"publish","type":"post","link":"https:\/\/narrativenortheast.com\/?p=13229","title":{"rendered":"CLOUDS &#8211; John J. Trause"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"616\" height=\"708\" src=\"https:\/\/narrativenortheast.com\/wp-content\/uploads\/2024\/01\/nn-clouds-John-Trause-Image-revised-2-psd-1.jpg\" alt=\"\" class=\"wp-image-13466\" srcset=\"https:\/\/narrativenortheast.com\/wp-content\/uploads\/2024\/01\/nn-clouds-John-Trause-Image-revised-2-psd-1.jpg 616w, https:\/\/narrativenortheast.com\/wp-content\/uploads\/2024\/01\/nn-clouds-John-Trause-Image-revised-2-psd-1-261x300.jpg 261w\" sizes=\"auto, (max-width: 616px) 100vw, 616px\" \/><\/figure>\n\n\n\n<p>&nbsp;\n<p>JOHN J. TRAUSE, the Director of Oradell Public Library, is the author of <em>Why Sing?<\/em> (Sensitive Skin Press, 2017), a book of traditional and experimental poems; <em>Picture This<\/em>:&nbsp;<em>For Your Eyes and Ears<\/em> (Dos Madres Press, 2016<em>)<\/em>, a book of poems on art, film, and photography; <em>Exercises in High Treason<\/em> (great weather for MEDIA, 2016), a book of fictive translations, found poems, and manipulated texts; <em>Eye Candy for Andy <\/em>(<em>13 Most Beautiful\u2026 Poems for Andy Warhol\u2019s Screen Tests<\/em>, Finishing Line Press, 2013); <em>Inside Out, Upside Down, and Round and Round<\/em> (Nirala Publications, 2012); <em>Seriously Serial<\/em> (Poets Wear Prada, 2007; rev. ed. 2014); and <em>Latter-Day Litany<\/em> (\u00c9ditions \u00e9lastiques, 1996), the latter staged Off Broadway.&nbsp; His translations, poetry, and visual work appear internationally in many journals and anthologies, including <em>The Antioch Review<\/em>, the artists&#8217; periodical <em>Crossings<\/em>, the Dada journal <em>Maintenant<\/em>, the journal <em>Offerta Speciale<\/em>, the Great Weather for Media anthologies <em>It\u2019s Animal but Merciful<\/em> (2012), <em>I Let Go of the Stars in My Hand<\/em> (2014), <em>Birds Fall Silent in the Mechanical Sea<\/em> (2019), and the forthcoming <em>A Shape Produced by a Curve<\/em> (2023), and <em>Rabbit Ears<\/em>: <em>TV Poems <\/em>(NYQ Books, 2015).&nbsp; Marymark Press has published his visual poetry and art as broadsides and sheets.&nbsp; He is the subject of a 30-on-30-in-30 essay on The Operating System, written by Don Zirilli, and an author of an essay on Baroness Elsa at the same site, both in April 2016.&nbsp; He has shared the stage with Steven Van Zandt, Anne Waldman, Karen Finley, Andrei Codrescu, and Jerome Rothenberg; the page with Billy Collins, Lita Hornick, William Carlos Williams, Woody Allen, Ted Kooser, Victor Buono, and Pope John Paul II; and the cage with the Cumaean Sibyl, Ezra Pound, Hannibal Lector, Andrei Chikatilo, and George \u201cThe Animal\u201d Steele.&nbsp; He is a founder of the William Carlos Williams Poetry Cooperative in Rutherford, N. J., and the former host and curator of its monthly reading series.&nbsp; He is fond of cunning acrostics and color-coded chiasmus.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; JOHN J. TRAUSE, the Director of Oradell Public Library, is the author of Why Sing? (Sensitive Skin Press, 2017), a book of traditional and experimental poems; Picture This:&nbsp;For Your Eyes and Ears (Dos Madres Press, 2016), a book of poems on art, film, and photography; Exercises in High Treason (great weather for MEDIA, 2016), [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":4895,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-13229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry"],"_links":{"self":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/13229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13229"}],"version-history":[{"count":7,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/13229\/revisions"}],"predecessor-version":[{"id":13467,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/posts\/13229\/revisions\/13467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/media\/4895"}],"wp:attachment":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}