{"id":6620,"date":"2020-01-15T17:44:38","date_gmt":"2020-01-15T17:44:38","guid":{"rendered":"https:\/\/narrativenortheast.com\/?page_id=6620"},"modified":"2020-01-15T20:55:20","modified_gmt":"2020-01-15T20:55:20","slug":"haiku-corner-7","status":"publish","type":"page","link":"https:\/\/narrativenortheast.com\/?page_id=6620","title":{"rendered":"HAIKU CORNER 7"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"414\" src=\"https:\/\/narrativenortheast.com\/wp-content\/uploads\/2015\/06\/art-kblossoms-etsy-koi-and-waterlilly-il_570xN.724322799_1nld.jpg\" alt=\"\" class=\"wp-image-2990\" srcset=\"https:\/\/narrativenortheast.com\/wp-content\/uploads\/2015\/06\/art-kblossoms-etsy-koi-and-waterlilly-il_570xN.724322799_1nld.jpg 570w, https:\/\/narrativenortheast.com\/wp-content\/uploads\/2015\/06\/art-kblossoms-etsy-koi-and-waterlilly-il_570xN.724322799_1nld-300x218.jpg 300w, https:\/\/narrativenortheast.com\/wp-content\/uploads\/2015\/06\/art-kblossoms-etsy-koi-and-waterlilly-il_570xN.724322799_1nld-50x35.jpg 50w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/figure>\n\n\n<p>say that five times fast\u2026<br>a crush of cumulus clouds<br>crowds the quiet cove<\/p>\n<p>*<\/p>\n<p>bug spray\u2014<br>the ticks agree<br>to an armistice<\/p>\n<p>*<\/p>\n<p>papier-m\u00e2ch\u00e9\u2014<br>how these eyes<br>stay glued to you<\/p>\n<p>*<\/p>\n<p>old moon<br>the calico<br>hides away<\/p>\n<p>*<\/p>\n<p>a kiss<br>that won\u2019t let go<br>clingstones<\/p>\n<p>*<\/p>\n<p>flickers<br>of an old warmth<br>winter sun<\/p>\n<p>*<\/p>\n<p>downcast\u2026<br>the endless tessellation<br>of rain clouds<\/p>\n<p>*<\/p>\n<p>promotion:<br>the pawn<br>becomes a queen<\/p>\n<p><\/p>\n<p><\/p>\n<p>&nbsp;<\/p>\n<p>Aaron Barry&#8217;s haiku and senryu have appeared in over ten haiku journals, including <em>Modern Haiku Magazine, Frogpond Journal,<\/em> and the <em>Heron&#8217;s Nest.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><\/p>\n<hr>\n&nbsp;<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p>&nbsp;<strong>HAIKU, LAMA, NEW MEXICO<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><\/p>\n<p>1.<\/p>\n<p>Stems of notes take root<br>in a pool of morning light.<br>Piano, guitar.<\/p>\n<p>2.<\/p>\n<p>Puccini trembles<br>in his sleep, then he whimpers\u2014<br>Or is it a rabbit?<\/p>\n<p>3.<\/p>\n<p>How to explain this?<br>I am as old as the stars<br>and as young as grass.<\/p>\n<p>4.<\/p>\n<p>Late afternoon rains.<br>Then two umbrella rainbows<br>open in the sky.<\/p>\n<p>5.<\/p>\n<p>Sometimes I can\u2019t sleep.<br>The sky enormous with love,<br>a grandmother\u2019s hand.<\/p>\n<p>6.<\/p>\n<p>We spread a blanket<br>on the cold evening ground,<br>then fly together.<\/p>\n<p>7.<\/p>\n<p>The swift arrows of<br>hummingbirds miscalculate<br>the distance of love.<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>\n<p>Anne Knupfer has an MFA in Poetry Translation from the University of Iowa, where she was also was a student in the Iowa Writers Workshop, studying with Normal Dubie and Donald Justice. She has published poetry translations in <em>Iowa Review<\/em> and <em>Modern Poetry in Translation<\/em>, as well as co-edited an international literature anthology.<\/p>\n<p>&nbsp;<\/p>\n<p><\/p>\n<p><\/p>\n<hr>\n&nbsp;<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><strong>OLDER<\/strong><\/p>\n<p><\/p>\n<p>&nbsp;<\/p>\n<p>Sky in my eyes. Grey<br>\nclouds with a sliver of moon<br>\nfor a hairpin. <\/p>\n<p>&nbsp;<\/p>\n<p>A fallen oak branch<br>\nbecomes my bench<br>\nby water\u2019s edge. <\/p>\n<p>&nbsp;<\/p>\n<p>I mistake my reflection<br>\nfor an enemy.I write<\/p>\n<p>&nbsp;<\/p>\n<p>on water. A soaring<br>\nheron is an apostrophe. <\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n<p>***********************<\/p>\n<p>&nbsp;<\/p>\n<p><strong>IN THE GULF OF MEXICO<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Foam-covered waves climb<br>\nthe dunes then quietly recoil.<br>\n&nbsp;&nbsp;&nbsp;&nbsp;\tA sigh of relief.<\/p>\n<p>&nbsp;<\/p>\n<p>A flock of flamingos<br>\nagainst the steel sky. Drifting<br>\n&nbsp;&nbsp;&nbsp;&nbsp;\tout of reach.<\/p>\n<p>&nbsp;<\/p>\n<p>Circling in the air<br>\npelicans scan the ocean\u2014<br>\n&nbsp;&nbsp;&nbsp;&nbsp;\tIt\u2019s raining birds and stones.<\/p>\n<p>&nbsp;<\/p>\n<p>When gulls land<br>\nblack-bellied plovers flee\u2014 wet<br>\n&nbsp;&nbsp;&nbsp;&nbsp;\tsand without imprints.\t<\/p>\n<p>&nbsp;<\/p>\n<p>A silver hook glistens<br>\nthen pierces flesh where fish<br>\n&nbsp;&nbsp;&nbsp;&nbsp;\tinhabit silence.<\/p>\n<p>&nbsp;<br>\nEdytta Anna Wojnar emigrated from Poland and now lives with her husband in northern New Jersey, where she teaches at William Paterson University. She is the author of chapbooks: <em>Stories Her Hands Tell<\/em> (2013) and Here and There (2014) published by Finishing Line Press. Her poems have appeared or are forthcoming in <em>The American Journal of Poetry, Paterson Literary Review, Narrative Northeast, Edison Literary Review,<\/em> and <em>Shot Glass Journal<\/em>, among others. <\/p>\n<p><\/p>\n<p>&nbsp;<\/p>\n<hr>\n&nbsp;<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><strong>JAZZ PURRS<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><\/p>\n<p><em>for Steve Dalachinsky <\/em><\/p>\n<p>&nbsp;<\/p>\n<p><!-- \/wp:post-content --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><\/p>\n<p>like cats&nbsp;&nbsp; jazz purrs<br><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>smoky<br>blues&nbsp;&nbsp; taste like wine<br><!-- \/wp:paragraph --><\/p>\n<p><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>smooth<br>and cool at night<br><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>like<br>jazz&nbsp;&nbsp; cats move&nbsp;<br><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><\/p>\n<p>with<br>panache&nbsp;&nbsp; know the blues&nbsp;<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p>taste better at night<\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:paragraph --><\/p>\n<p><!-- \/wp:paragraph --><\/p>\n<p><!-- wp:html --><\/p>\n<p><\/p>\n<p>&nbsp;<\/p>\n<p>Patricia Carragon\u2019s recent publications include<em> Bear Creek Haiku, First Literary Review-East, A Gathering of the Tribes, Jerry Jazz Musician, The Caf\u00e9 Review, Muddy River Poetry Review, Krytyka Literacka, Panoplyzine, Poetrybay, <\/em>and Sensitive Skin<em>.<\/em>&nbsp;Herlatest books from Poets Wear Prada are <em>Meowku <\/em>and <em>The Cupcake Chronicles, <\/em>and <em>Innocence&nbsp;<\/em>from Finishing Line Press. Her first novel, \u201cAngel Fire,\u201d is forthcoming from Alien Buddha Press. Patricia hosts Brownstone Poets and is the editor-in-chief of its annual anthology. She is an executive editor for&nbsp;<em>Home Planet News Online.<\/em><\/p>\n<p><\/p>\n<p><\/p>\n<p><!-- \/wp:html --><\/p>","protected":false},"excerpt":{"rendered":"<p>say that five times fast\u2026a crush of cumulus cloudscrowds the quiet cove * bug spray\u2014the ticks agreeto an armistice * papier-m\u00e2ch\u00e9\u2014how these eyesstay glued to you * old moonthe calicohides away * a kissthat won\u2019t let goclingstones * flickersof an old warmthwinter sun * downcast\u2026the endless tessellationof rain clouds * promotion:the pawnbecomes a queen &nbsp; [&#038;hellip<\/p>\n","protected":false},"author":1,"featured_media":2990,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6620","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/pages\/6620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6620"}],"version-history":[{"count":10,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/pages\/6620\/revisions"}],"predecessor-version":[{"id":7292,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/pages\/6620\/revisions\/7292"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=\/wp\/v2\/media\/2990"}],"wp:attachment":[{"href":"https:\/\/narrativenortheast.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}